Claudia Moscovici
12.12.2016

Edson Campos’ Eve’s Dream: In the footsteps of Vermeer and Velazquez

Two celebrated paintings by two of the world’s best-known artists –Vermeer‘s The Milkmaid (around 1657) and Velazquez‘s The Spinners (also 1657) intersect in Edson Campos‘ postromantic pastiche, Eve’s Dream. The Renaissance masterpieces have in common is more than the (approximate) year they were finished and their fame: they share a common fascination with women, particularly […]